"Together Beth and Darren create something very powerful. Beautiful at times, and heartbreaking at times - their voices and instruments meet and give birth to some of the most delicate and elegant sounds I have heard in a long time." - Lydia Hillenburg, AllWhatsRock

The people:

March to May began under unusual circumstances in late December of 2012. The musical spark between Darren and Beth arose around a roaring beach bonfire along a remote section of the Washington coast. Neither of them had realized the musical potential they shared when they first met a few weeks before – and not until several more chance encounters did they realize that the musical chemistry between them was truly magical. Once the spark hit, it didn't take long for them to catch fire. By March 2013 they had co-written their first two songs, by April they had a paid gig under their belts, and by May they had a name and shows booked out into the months ahead.

Two years and over 80 shows later, they released their critically acclaimed debut EP, The Water’s Edge, to a sold-out show on a historic steamship. Their single, “Embers”, spent eleven consecutive weeks at #1 on Yallwire’s Yallturnative Music Video charts and won an Akademia Award for Best Pop / Singer-Songwriter Song (August 2015). Their sound has drawn comparisons to acts like The Civil Wars, Damien Rice, the Swell Season, and Robert Plant and Alison Krauss. In the words of Chuck Taylor, former Sr. Editor at Billboard Magazine, “Folk duo March to May’s soft and gentle new single “Embers” is certainly a song that we can all relate to…all that’s missing here is a fading sunset and a requisite glass of red wine. Cheers… to that love we shall never forget.”


Photo Credit: Elizabeth Wesche

Photo Credit: Elizabeth Wesche

Darren Guyaz (guitar, vocals, keyboard)

Darren roamed the northern Appalachians through his childhood, plinking & plunking the classical keys until he ventured West to his birth-state of Montana, settling in Missoula to finish a degree in Geography. One evening on an old, historic homestead in the hills north of town, he picked up a friend’s guitar and began strumming, teaching himself how to play a few chords, finger-picking his way through the frets, and forever changing his musical expression.

Soon after, he headed south on an open-ended ticket to South America, criss-crossing the Andes until finally resting for a month on a small goat farm in Patagonia. Here, on long rainy nights straight out of Márquez’s 100 Years of Solitude, he borrowed an old guitar from Matias, the owner of the little farm, and began writing songs in a small, dilapidated cabin over many glasses of cheap, Chilean red wine.

His vagabond days came to a close after falling in love with Seattle and the Pacific Northwest, where he now spends his days wandering the mountains, and his nights playing music with the newfound collaboration March to May.


Photo Credit: Darren Guyaz

Photo Credit: Darren Guyaz

Beth Wesche (Celtic harp, vocals)

Beth spent her formative years wandering through the Andes and across a smattering of U.S. states.  The daughter of a U.S. Foreign Service Officer, she stayed in each place just long enough to fall in love with it before moving on to the next adventure.  Music wove its way through her life from an early age - she sang in choirs from elementary school to college, beginning classical voice training and starting to sing a cappella as she grew older.  While living in Ashland, Oregon, she picked up the Celtic folk harp and found herself captivated by the sound.  However, a few short years after beginning to play, she moved to the East Coast, leaving her harp silent in her family’s living room for five years and largely convincing herself that music would have to take a back seat in her life.

In December 2012, though, things changed:  she moved back to the West Coast, settling a few short blocks from the little acoustic instrument store in Seattle’s Fremont neighborhood where her harp was created many years before. Perhaps she should have taken it as a sign. Within a few short weeks, music surged back into the forefront of her life when she found another musician with whom she shared an unmistakable musical chemistry, and she began to question how she had ever left it behind to begin with.  And thus, March to May was born.